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7Apr/16Off

MAY 2016 ISSUE ON SALE

MAY 2016 ISSUE ON SALE

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WINDSURF MAGAZINE #355 MAY ISSUE ON SALE NOW

The MAY 2016 Issue of the world’s only monthly English-language windsurfing magazine is out now!


Subscribe or buy your copy here in either 

Digital or 

Print versions!
(Prices include delivery anywhere globally 10 times a year.)


The .com issue – Is the internet good or bad for windsurfing? – John Carter asks the pros, Traversa unplugged in Mozambique, disconnected in Tasmania – off grid adventure with Flo Jung, South Cornwall waves – Praa Sands explored, Azores travel, Windguru founder interview, Maui Ultra Fins new weed/shallow water fin lowdown, Summer wetsuit guide, Slalom test: 115l. boards & 7.8m 3-cam sails and part two of Harty’s onshore tips.

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BIG JUICY READS

Spread Paul Lane

THE LATE SESH
John Carter hooks up his Iphone to roam in Margaret River in the company of Scotty McKercher and Philip Koester, finding a break that tests the best but still remains a beauty worth detouring for.

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TASMANIA  
Flo Jung disconnects from the internet in a journey to the ends of the earth in Tasmania to find the wild roots of a windsurf trip again.

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TRAVELLING FREE 
Thomas Traversa, Jules Denel and Gilles Calvet travel to Mozambique to windsurf but along the way discuss social media and its outcome on our windsurfing world.

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CYBERSAILING
John Carter recruits John Skye, Chris Murray, Chris Pressler and Guy Cribb for a both hilarious and thought provoking discussion on the good and the bad of the internet’s impact on windsurfing.

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DUTY FREE – THE MOTLEY CREW RAID OF PRAA SANDS
Timo Mullen and Ian Black set out to find the windsurfing treasure of South Cornwall; explorer in chief, John Carter, tells the salty tale of their voyage.

JC MAIN SHOT

AZORES
The Azores is within easy reach of Europe and offers verdant lands and rich coastlines full of exuberant life. María Andrés and Emilio Galindo tell their story of finding a paradise only a few hours away but still having all the adventure you could wish for.

GEAR SHED

test 1

115 LITRE SLALOM BOARDS
Our testers review the high octane hulls of the slalom race course.

FANATIC FALCON TE 112,
RRD X-FIRE V8 114,
STARBOARD ISONIC CARBON REFLEX 107,
TABOU MANTA 71

test 2

7.8 3 CAM SAILS
De-tuned slalom engines or super charged compromise? – the test team find out.

GA SAILS PHANTOM 7.8M,
LOFTSAILS SWITCHBLADE 7.8M,
NORTH SAILS S_TYPE SL 7.8M,
RRD FIREWING MKIV 7.8M,
SEVERNE OVERDRIVE R7 7.8M,


TEKKERS

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PETER HART TECHNIQUE – ONSHORE Part 2
Real Tales – Harty continues his exploration and explanation of sailing waves in onshore winds, this time calling on the experiences of some informed locals.

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MOVE ON UP WITH JEM HALL – THE MOVES THAT MATTER PART 2
Jem continues his ‘Moves that matter’ with the tricks, jumps and wave riding tips to help you improve at all levels.

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HOW TO – ONE FOOTED BACK LOOP
Graham Ezzy tells us how to drop a leg in a back loop, advocating ”the best ways to get better is trying completely different moves that are beyond your ability!”.

 


BOARDSHORTS

LATEST & GREATEST
Spies recruited, listening devices planted and no lead left unturned. Ross Kemp can’t go where we can – we bring you the latest reportage from windsurfing’s cutting edges – sort of!

LOWDOWN
Maui Ultra Fins Delta series

 – Maui Ultra Fins

 Designer Rick Hanke is an aeronautic engineer by trade but we caught up with him to find out more about his innovative fin design – the Delta series – for shallow and weedy waters.

WINDGURU: THE INTERVIEW
Almost certainly part of your daily internet diet as a windsurfer is www.windguru.cz. Used by everyone from weekend warrior to the PWA, we spoke to its founder, Vaclav Hornik, for a closer look at one of windsurfing’s most popular websites.

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SPRING SUMMER WETSUIT GUIDE
Winter was so last winter, spring/summer is where it’s at for our May issue and to kick off the new season we’ve rounded up some of the latest offerings of fresh rubber from the brands.


SITTIN’ ON THE DUNNY

EDITORIAL
The Editor explores the effects of the internet on windsurfing and how best to manage it while staying true to the soul of our sport.

AFFAIRS OF THE HART – SAILING MATES 
Harty eloquently discusses how the company you keep on the water can make or break a day.

Get your 

Print or 

Digital copy

 now!

 

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30Mar/16Off

PETER HART MAURITIUS CLINIC

PETER HART MAURITIUS CLINIC

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PRESS RELEASE:

Sportif Announce 2016 Mauritius Windsurfing Masterclass with Peter Hart.

Sportif have announced the next Peter Hart windsurfing Masterclass to Mauritius from 20 November to 01 December 2016. Enjoy 10 days of flat water to easy wave sailing with coaching from the master himself plus a social week, with group dinners and non-clinic friends and family welcome.

You can join Peter for a 10 day windsurfing holiday staying in the 4* Coral Resort with coaching from Windsurf magazines’ own Technique Editor. Voted as one of the top 3 most influential windsurfers of all time, this year Peter is conducting his Masterclass weeks at the end of November which includes everything from water starting to wave sailing at the all round spot of Le Morne
Speaking about his previous clinics, Peter says,
“Conditions were so good that the photos do NOT do it justice – and to have such amazing windsurfing conditions on the doorstep of a truly classy hotel, is just unheard of. Words fail me to describe its beauty both as a place and a windsurfing venue. Lying some 500 miles to the east of Madagascar in the Indian Ocean, Mauritius challenges Maui for windsurfing perfection. It’s a beautiful island with a fascinating ethnic west/east mix. After just a week there in 2005, I had no hesitation adding it to the calendar,” says Peter.

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The minimum standard is planing in the footstraps and harness on a 120 ltr board so Intermediate sailor are welcome. The conditions will also work for windsurfing couples or friends who are at different levels. Non clinic friends and partners are also welcome, with group dinners in the evening and the group sailing from the beach directly in front of the hotel. If you are a beginner, or want to do some kitesurfing, surfing or SUP, Sportif can organise lessons or rental for you.
Price: 10 nights All Inclusive from £2,899pp or excluding flights from £2,099pp including 7 days Peter Hart Masterclass and 11 days windsurf rental. Spaces are limited and Sportif say the places are usually booked up within a few weeks of going on sale, with people already booking on.

To book call Sportif on 01273 844919 or see www.sportif.travel

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18Mar/16Off

PETER HART – THE JOY OF CROSSING OVER

PETER HART - THE JOY OF CROSSING OVER

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PETER HART – THE JOY OF CROSSING OVER

The development and continual improvement of the freestyle wave board is surely one of windsurfing’s greatest success stories. Peter Hart tells you how to tweak technique and set-up to exploit the full range of possibilities.

Words  PETER HART  // Photos  WIGHTSHOTS/BARBARA CLOSE 

I  have an almost unnatural relationship with my 103 freestyle wave board. It has its own passport; lives in the spare bedroom and in the past 6 months I’ve probably seen more of it than my family. If I got points for the water-miles I’ve covered on it, I’d be able to fly around the world for nothing. I’ve just come back from Tarifa, where for 7 days the ‘levante’ blew between 15-30 knots – sometimes over a head high swell. Backed by 3 sails and 2 fins, I could handle every situation with the one board. I blasted; I rode waves; I did the odd trick (very odd in some cases). Yes a 103 is about 20 litres too bulky for 30 knots but it still offered so much more than pure in and out survival. When things get tricky, often the best board to sail is the one you know really well. A good freestyle wave covers so many bases that you get to sail it a lot and get to know it really well. You may have already surmised that I’m a bit of a fan. I can’t think of one reason why someone looking to experiment with styles, widen their general repertoire and become a more rounded windsurfer, wouldn’t have one. So, remaining as impartial as possible, over the next few pages I aim to clarify the concept and then explain how to make it perform in various areas. But first, to appease aging sceptics, let’s quickly turn the clock back.

‘Wave/slalom’ and ‘Chameleons’
Windsurfers of a certain vintage may wish a pox on the whole cross-over concept having been corrupted by early interpretations – ‘do everything’ boards which ‘did nothing’ very well.
In the 80’s and early 90’s design features were more polarised. Speed came from sharp, slab-sided rails and straight narrow outlines. Manoeuvrability came from soft edges, and heaps of rocker. Hence in that era, speedy boards carved only long precarious turns and wave boards were slow to plane and just … slow.

The new category, ‘wave/slalom’, therefore sounded oxymoronic. Shapers, who were asked to fashion this all-rounder, felt they’d been burdened with the impossible task of building the perfect partner for the sexually confused teenager. What they came up with was a hairy, beer swilling rugby type wearing scarlet lipstick and a tutu – i.e. something that failed to appeal to those on either side of the fence. It stunk of compromise.

Rigs were the issue. They were still quite ‘draggy’ producing a lot of sideways force that had to be resisted by long edges (260cm plus) and relatively big fins. The only way to make a board more manoeuvrable at speed was to make it smaller and thinner and load it with a smaller sail, which then demanded high winds. Hence the whole cross-over concept ran out of legs in boards much above 85ltrs. The deciding factor was, and still very much is, the fin. If you have to fit a big fin to resist the forces of the ‘grunty’ sail you need to get planing, the ‘wave’ bit of the ‘wave/slalom’ evaporates.
Cutting to the modern chase, the gradual development of ever more efficient rigs that produce less and less lateral drag, has allowed us to shorten the outlines. Losing 30-40 cm of edge brings huge benefits:
–  shorter boards turn better. There’s less resistance, less rail to trip over; they conform better to a curved wave and fit between chops.
– there’s less dead wood. The volume is more useable. It’s under your feet and in extra width, which means that smaller boards feel more stable and bigger boards are more controllable.
Today you don’t have to shape a board like a court jester’s slipper, with six inches of tail rocker, to make it turn. Manoeuvrability comes as much now from the blend of outline, rail profile, underwater shape AND the fact that more efficient rigs allow us to use smaller fins. So it is that the once distant qualities of speed and manoeuvrability are edging closer and closer together. Today’s boards are like cars. They all are fast. Some are faster than others determined mainly by the size of the engine.  Boards, purely in terms of shape and design, share more in common than ever. What makes them behave differently is the size and style of rig you use; where you stand; where you direct the power and the size and style of fin. We now have a board that allows you to really play with those alternatives. Ladies and Gentlemen, I give you the modern freestyle wave board.


EMBRACING THE INBOARD FEELING
Fsw’s offer inboard and outboard strap positions. It’s nice to have the option, but I believe going outboard is to miss a trick. The greatest transformation you can make to your sailing, if manoeuvres are on the agenda, is to learn to sail the board from the middle. To find comfort in a straight line, you have to stand taller and more inboard and drive the board, not the fin and rail. Not only are inboard straps easier to get into, but this upright stance nearer the centre line, with the front foot as the platform, is the best position from which to pop or drop up or downwind into carving moves.

//  Unless you stand tall and inboard using inboard straps, they will feel uncomfortable.  PHOTO by Hart Photography.

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//  The 103, 5.7 sail and 26 wave fin = manoeuvre heaven. The in-straps carving 360 is a good test to see how well the fsw is set up for moves. It’s hard if you’re over-finned, over-sailed and standing on the edge. It’s a move, which forces you to keep the board flat and carve off the front foot.  PHOTO Wightshots/Barbara Close.


Making the Choice – understanding the design.
Freestyle wave boards all lie somewhere on the freestyle to wave spectrum. Which you plump for depends which aspects of those two designs most appeal to you. Let’s describe simply what both are good at.

Freestyle Board. The thrust of modern freestyle is to do big aerial moves (often off flat water) at huge speed. To achieve that, the modern freestyler needs a board that planes fast and early with a small sail (the smaller the sail the easier the trick is to control), and that pops (jumps) easily. What we have, therefore, is a low-nosed ‘slabby’ railed board with hard release edges with a flat, slalom board rocker-line and a very thick tail, which pops easily out of the water.
What isn’t it good at? Not much cop at carving. The thick rails make it bounce and trip– and thanks to the tiny fin it’s not the board you’d choose for screaming around in chop. Its application is very specific – get it planing and then immediately do something very dangerous.
Wave Board. Jumping is important but most wave designs are about smooth rail to rail carving. The key is to be able to initiate turns suddenly and steeply (i.e. without bearing away) engaging all the edge to draw tight fast arc turns on the wave face without tripping or out-running it.
Hence a wave board looks like a surfboard with a curved outline and thin grippy rails. Small outboard fins have a dual purpose of driving you around turns and holding the rails in. It has exaggerated nose rocker to help you bottom out of steep drops and jumps, and varying degrees of tail rocker to add a bit of ‘pivot’ and ‘snap’ to the end of turns.
What isn’t it good at? Nose and tail rocker mean it pushes a bit of water so can be slower to plane and marginally slower when on the plane. It’s not the best upwind.

The Blend
So by blending the best of both you get a board, which planes early, is rapid, pops easily into jumps and carves hard fast turns. What is there not to like?
It’s easy to spot where boards lie on the spectrum. The most revealing indicators are the nose and tail. The lower the nose and the thicker the tail, the more oriented it is to speed, early planing and popping into ‘new skool’ freestyle. The thinner the rails and higher the nose, the more wave oriented it is. Choose a board for the conditions you get, not the ones you dream of getting, and then play to its strengths. But just a word about freestyle – it’s not all about mid air contortion. The style of tricks (I prefer to call it ‘classic’ rather than ‘old skool’) that most aspire to, such as duck gybes, up and downwind 360s etc, start with a fast, hard carve which is easier on a freestyle wave with a wave bias. And if you are interested in new skool, the ‘basic’ tricks such as Vulcans and Spocks, which involve a pop, a twist and a backwards slide, are arguably easier to learn on a freestyle wave than a dedicated freestyle board because its softer edges are less likely to catch.

THE FREESTYLE WAVE SAILING OPTIONS
Some are reluctant to go down the fsw route for fear of what it might say about them – i.e. they don’t know what they want. They’re not good or committed enough to sail a dedicated wave or freestyle board and so have plumped for a compromise. Tish and pish. Here are 3 good reasons to embrace a fsw.
1. There’s a clue in the title. It promotes a sailing style in its own right. Freestyle in the waves. It doesn’t have to be crazy stuff. In a spot like Jeri (Brazil) where the waves are small, the wind is windy and there are long flat patches between swells, fsws reign. Their early release and extra speed add another dimension to the session. On one run in you’ll do a full speed trick (old or new) on the flat. On the next you might tap into a wave – and on the way out no board is better at jumping. It’s a style of sea sailing where you’re getting your dynamism more from board speed than wave power.
2. A flat water wave board.  Wind is easier to find than waves. Wave boards are not so great on flat water especially if it’s gusty – they don’t have enough ‘glide.’ But using a fsw you have the extra speed to imitate wave moves, hard carving etc, but without the wave.
3. Inspires a change of style. It’s the perfect stepping stone from free-ride to wave. It’s a board which has free-ride/speedy qualities, but which encourages a lighter footed, more manoeuvre based set-up and stance.


It’s ALL in the FIN
The tuning range of a FSW is huge and it’s largely down to fin choice. The one supplied covers the most options but that is just the beginning. All the fins displayed work with this board and totally change the feel and how you sail it. It’s currently set up with the tri fin thruster arrangement for proper waves. The 26 is a single fin option for more speed in waves and general manoeuvres. The 30 works with most things but specifically for a bit of blasting and sails of 6 and above. And the 22 freestyle fin works with the 5.2 sail if you’re into a bit of new skool pop and sliding – but not much else.



//  Many horses for many courses. PHOTO Hart Photography.

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//  A bit of blasting. The 30 cm fin gives you a familiar free-ride feel. How much lift you get from the fin determines your stance and, upwind, whether you sail the board flat or windward edge down. PHOTO Wightshots/Barbara Close.


LIVING WITH THE 103
Fsw’s are many things to so many people depending on the size (of the person and board), sailing location and style. I am going to share my experiences of sailing and tuning my 103 for different occasions. They are not necessarily the views of the management – but it’s a start. I have chosen the big end of the fsw scale – 110 litres is about the chunkiest available – because they offer the widest possibilities. As you go under 90 litres, the need for control, usually in lumpy seas, mean they’re often almost indistinguishable from wave boards.  If you fear you’ll be spending half the day with a screwdriver constantly re-tweaking, let me reassure you that in every mode I use the inboard straps, a waist harness and 32” lines. All I’m changing is sail size, boom height and fin.

Scenario 1  – The FSW as a happy Blaster
We have 15-18 knots of wind. It’s bumpy/choppy. There’s open water and mates about who might want to spar. Although they’re committed speedsters, you may want to confound them by throwing in the odd gybe. If you’re from a blasting background, you need to recalibrate. For the same conditions on a free-ride board, you’d rig the 7.5 on a 120 with a 40cm fin. We need to introduce a different feel and will try to go as fast by lightening everything up, making better use of the power and sailing more efficiently off the toes.

The Fin
My 103 comes with a 30cm cross-over fin (straight in the middle, swept in the tip). The US style slotbox that accompanies SOME  fsw’s, won’t accommodate much bigger. (On test this month though, more boards house power boxes than US – 4PB v 3US). Although the blurb advocates a sail as big as 7 sq. m. for my 103, for that fin I feel a 6.5 is the best match. A wave/freestyle sail is best because the higher effort lifts you into a taller stance and unweights the board. A slalom design by contrast shoves the board down and relies on a big fin.

Setting UP
If you’re struggling to tell the difference between the wave boards and fsw’s, say in the rack of a hire centre, apart from the label on the flanks, the fsw reveals itself by offering inboard and outboard straps. This is a good thing. Outboard straps put your feet in the best position on the rails to drive the fin. You may want to use the board in a race.

If you’ve come from free-riding, even though the fsw outboard straps aren’t that outboard, the stance will feel familiar. But here comes the ‘but …’, I have actually never used the outboard straps on any of my fsw boards. If you’re looking to move towards wave sailing, or just improve your gybes, use the inboard settings from the get-go. It’s the biggest most significant change you will make to your style. Which holes you use for each strap depends on your height – but I go for the biggest spread (front straps forward, back straps back), which in turns gives you the greatest freedom to move and gets you used to the wider, more stable wave sailing stance. And here’s the biggest difference, open them up so your front toe reaches across the centre-line. From that position you can get into front foot carving – another major change.

Getting going. The whole thrust of manoeuvre based sailing is to be mobile between the feet and enter manoeuvres with speed, but NOT over-powered. In general that means you have to work a little to get going. Even though a 30cm offers reasonable resistance. It only starts to lift as you’re planing. You can’t hoof against it at slow speeds and hope for a reaction. Even on a big fsw with a 6.5, be of the mind set that it’s the rig, not fin power, that gets you planing. So basically unload the fin completely by bearing away much more than you might be used to.

Speed
For the 15-18 knots blasting session I’ll raise my boom up a bit, just above shoulder, to encourage a tall, toes-down stance. The 32” lines are long enough for me to hook in early and hold the rig upright as I move into the straps. It’s a complete delusion to think you have to be over-powered to go fast. Loads of power does give you performance on the extremes of up and downwind – but in the area where you’ll be doing most of your performing – within 10° of a beam reach – that extra power is just drag.

The speed stance

The speed stance, and windsurfing in general, is about reacting to different pressures. And above all, about feeling what’s going on in your hands and under your feet.
The advantage of this ‘less powered up’, manoeuvre based set-up, is you have more freedom to move, hips, feet, hands everything. So as you get going consider the following.
Stand tall. Having the feet inboard and deep in the straps feels strange and uncomfortable to start with – but only if you drop the hips and hang outboard, at which point the ankles bend uncomfortably. So stand taller, lift the hips, let the legs straighten, stand more over your feet, sail off your toes and get a feeling of driving the board rather than the rails.
Mobile feet. Just because the straps are inboard, it doesn’t mean your feet always have to be inboard. Nicely powered, you’re not threatened. You don’t need the straps to glue you to the board. If you feel the 30cm fin starting to lift the windward edge, react to that force by pulling the feet out of the straps an inch or two. Most of the time my feet are some way out of the inboard straps – and only deep in them for moves.

Upwind sailing always demands the cutest trim. Fsw’s have a flatter rocker and a hard release edge that bites. But it’s now, if you’re an ex free-rider, that you have to begin to unplug that back foot. If you’re really powered up, yes you can run a flat board and push the fin quite hard. But just comfortably planing, you may have to unweight the tail, move the hips further forward and sail more off the front foot. You’ll know if you’re pushing too hard – you just stall.
Speed. Going fast on a fsw is about giving to the power and letting it pull you along rather than hunkering down against it.

“ It would be harsh to say that big free-ride kit makes you lazy … but it does ”

Trying to overtake someone when you’re maxed on slalom kit, you lower your stance, tighten the core and actively drive harder against the fin and rails, veins bulging, tendons straining. But on a fsw, stand up, drop the toes and concentrate on running a flat board – and then play with the fore/aft trim to make that perfect connection. On a more wave oriented fsw with nose-kick, you want to get the nose up a little to stop it slamming into chop. A higher boom helps, as does less outhaul and a little more back foot pressure.


DAVE WHITE and fsw love.
Dave White, former world champ speedster, is famous for making all boards go fast. His favourite party trick on photoshoots is to overtake pro slalom’rs on his fsw and is in little doubt as to the design’s speed and endless versatility.  “If the mobile network hadn’t already taken the initials we’d be talking about EE’s as this category covers Everything Everywhere. If you want to be pedantic you could find a few conditions where a FSW might not fit the bill, though apart from 8.0m sails I’m struggling to think of a time where I couldn’t have opted for a FSW and had a good sail.  The key to this versatility is the fin or fins. At its extreme, I’ve watched Shaun Cook win a slalom round on a FSW using a 38cm f-hot slalom fin. At the other end of the scale, I wouldn’t travel without a 22cm wave fin. Does that mean they’re providing the wrong fin, definitely not. It’s just the one that covers the most bases. I’ll use the 22cm wave fin in my 106 when it’s all about riding, though I have another fin that fits between the two for my everyday south coast conditions.”

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//  Whitey tanking using a 28cm fin and ripping on the same 106 with a 22cm wave fin. PHOTO Shaun Cook

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SCENARIO 2 – Carving tricks and Moves.
17-24 knots of wind – flat water with the odd breaking ramp – this is fsw heaven.  The emphasis changes to fast, fun carving tacks and gybes, ducks, 360’s, floaty chop hops etc. I go for a 5.7 and a 26cm wave fin. Sail and board match each other perfectly. For those coming off bigger kit, the fin feels … small. As one guy said as he stepped on such a set-up for the first time, “has this fffff thing got a fin?” The wave fin is less a lift device and more a means to help control turns. At 26cm, it is still huge by a pro wave or freestyler’s standard, but unless it’s howling you don’t get the free-ride, speed sensation of the board releasing onto the fin. The board rides a bit lower, feels a bit stuck on the water. But that’s a positive for carving moves where you WANT the board to hold in.

The general tip is again to react to the forces. With even less coming under your back foot, you should naturally favour the front foot more and more, to the point where you even place the back foot forward of the strap. Look down and on most points of sailing you’ll see your harness hook above your front foot. You’re standing more centrally using the front foot as your platform. The big change now is that sailing upwind, your windward edge rather than the fin is your source of resistance. Push it in with the heel of the front foot.


THE FSW as a WAVE MACHINE
The bigger fsw’s (100 ltrs +) are generally designed towards speed and early planing but still work brilliantly in small waves, especially in bog and ride conditions when you have control of speed and power. You need to be sympathetic to its design and favour a ‘pivoty’ style to make sure the thick rails don’t get stuck in the face.

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//  Perfect size fun waves for a big fsw. Cutting back off the top is where thrusters can really help you maintain speed and control.
PHOTO  WIGHTSHOTS/BARBARA CLOSE


BLESSED BY A FSW Case Study 1:  Doug
Doug is a bit of an athlete. In-between sessions in Ireland, while I took the group on a SUP tour, he followed … swimming. He’s that sort of bloke. It’s an attitude that was mirrored in his sailing. He loved the physical challenge and therefore craved wind and big powerful kit; which was fine but not when it came to tackling waves and especially not when the wind was fluffy. The first step to ‘de-grunting’ him was to suggest a 103 fsw. But his first move, despite my suggestion, was to turn it into a free-ride board by loading it with a slalom 7.0 and having a 34cm fin specially made. It didn’t work that well. The big sail shoved it too deep. Since then he’s completely lightened up. In Kerry this year we reduced both fin and sail and he’s now using the fsw as nature intended – standing taller, sailing more and more on the toes, needing less and less power to achieve the same speed and above all, sailing and gybing more and more off the front foot.

//  Doug still a little too much on the back foot but in the process of being transformed by his 103 fsw. PHOTO Hart Photography.


BLESSED BY A FSW Case Study 2: Greg
Greg arrived on a wave course having learned his craft free-riding with huge kit on the lakes of his native Hungary. Short lines, seat harness, hunkered stance; he was the model of 90’s technique. He’s a very bright bloke (consultant cardiologist) and extremely fit and wiry. His approach was to buy a wave oriented 95 fsw with thrusters. We changed his basic set-up, longer lines, higher boom, waist harness to get him off the back foot. The rest came just from reacting to a new feeling. After a year, he’s now riding down the line with the best of them. “The fsw is fantastic,” he says, “it forces you to sail differently but at the same time isn’t so different and radical.”

//  Greg extended, relaxed and laying all the rail of his 95 fsw.
PHOTO Hart Photography.

//  Smart folk buy the board to suit where they live. Harvey, resident of Tarifa where wind is plentiful and waves are sporadic, favours a small fsw for its speed and versatility.
PHOTO Hart Photography.


Carving
The fsw introduces you to a wave board styIe of full rail carving. You become more aware of the mastfoot as a carving device responsible for controlling the front section of rail and the feet the back section. It helps now to lower the boom a couple of inches to just under shoulder, which allows you to drop on top of the boom and apply that mastfoot pressure as soon as you lean the rig into the turn. But the biggest change is to shove the front foot deep into its strap and initiate turns with the toes of the front foot. To do that you have to bend the ankle, which projects your whole body forward and puts you in a far better position to control the exit. A good exercise is to practise edge to edge carving across the wind. Leave both feet in the straps. Because the back strap is so far back, you have to favour the front foot or you stall out.

NEWER SKOOL
We’re in the glorious force 5 zone where pretty much every combo planes (under the right guidance). Looking to go more new skool, my alternative in the same wind is to go for a bagged out 5.2 and replace the 26 with a 22cm freestyle fin. This is a good intro. to the ‘big board, small rig’ style of sailing. Less power makes many tricks easier, especially upwind ones involving a sail transition – eg duck tacks, push tacks, upwind 360s. And the smaller fin makes the ‘pop and slide’ tricks more achievable. How to get into modern freestyle is a tome for another time.

SCENARIO 3 – Into the waves
Read Tris Best’s fine review of 105 fsw’s in this very issue and you will note that fsw is a pretty broad category –  they are all equal in the waves – but some are more equal than others. Much depends on the stable and the shaper – some have taken their wave designs and made them a bit straighter – others have taken their freestyle designs and made them a bit curvier.  With all of them, notably these big ones, you accept what they are and play to their strengths. It’s not a board you’re looking to tuck, Kauli style, into the pocket of 15ft pitching Punta Preta lip. For the expert it’s the best option on semi-planing days when the swell is lazy. Its extra speed creates dynamism out of dead situations. On days when you might have taken a SUP with a rig, you could take it up a notch with a floaty fsw. For the amateur, the advantages are more obvious. 90kg Yorkshireman Steve Mather, learning to love the waves, describes his love for his 103. “It gives me confidence to get out and survive the lulls – but what I most like is that it’s flattering. You can give the edge a bit of a misguided kick and it will keep going!” When it comes to turning on the face – well you keep pushing until something catches. In general it’s good to favour more of a back foot style – that’s pressure back not weight back – to stop the straighter edges catching in the face. The lower nose on some models means you have to be a little more cautious taking steep drops.

The Thruster Option
Design advances are gradual but fsw’s seem to have come on enormously in the last few years – notably their wave performance. Many now come with an option for thrusters (small side fins). I was a little suspicious when I saw these appearing in the bigger models, believing they may be a market-led addition. Thrusters pull the taiI into the water, which is just what you don’t want when you’re trying to get a big board to release in marginal winds. So they’re not really a flat water option – unless it’s howling.  Interestingly, as you will read in this issue’s fsw review, several brands (Fanatic, Goya, Quatro) provide thruster boxes, but only supply the board with a single fin and blanking plates for the thruster boxes. So the option is there but with reasoning that single fin is best for most. But they really do help on the wave face giving you the confidence to push a little harder without the rail skipping out – they also keep the board driving round and stop the board stalling during the cutback.

Conditions permitting, in the next issue Harty will be looking at ways to get into and improve your wave riding when it’s onshore (and probably cold). Spaces on his courses are few and far between these days so check out the schedule on his site www.peter-hart.com and book early!

The post PETER HART – THE JOY OF CROSSING OVER appeared first on Windsurf Magazine.

Click here to read more: Windsurf Magazine

17Mar/16Off

PETER HART – AFFAIRS OF THE HART – LASTING IMPRESSIONS

PETER HART - AFFAIRS OF THE HART - LASTING IMPRESSIONS


PETER HART – AFFAIRS OF THE HART – LASTING IMPRESSIONS

Peter Hart remembers the first man of windsurfing photography, Alistair Black.

“ I wager that many of you have fantasized gently about giving up the day job and becoming a full time professional windsurfing photographer. In the modern age of incredible digital cameras, how hard can it be? Surely thanks to their lightening shutter speeds, multiple frames per second and auto-everything, you just adhere to the monkeys-and-typewriters probability theory, keep your finger on the button, point it at the ocean and sooner or later you’ll luck out. You might. However, one decent shot in 10,000 won’t feed the family; and it certainly didn’t in the pre-digital age when every failed sequence cost you a tenner’s worth of Kodachrome 64. To shoot windsurfing successfully demands patience, tolerance, imagination, artistic flair, an intimate knowledge of the sport and, due to the fact that often the money shot can only be captured from the water on the stormiest days, extreme physical endurance.

It’s therefore not surprising that so many photographers who cut their teeth in windsurfing went on to excel in other fields of photo journalism. For example, Jon Nicolson went from capturing many of the early world cup speed events, to being the favoured snapper for Olympus and the Williams Formula 1 team. Andy Hooper, who produced numerous images for this very magazine in the early 90s, is now the chief sports photographer for the Daily Mail and has been UK sports photographer of the year no less than 5 times.

But the father of them all was Alistair Black, who recently passed away at aged 88. Not only did Alistair set the standard in terms of water photography but he also sired two famous windsurfing sons. Frazer was the first British export to Hawaii; while Ken, one of the world’s most durable and respected sailmakers, is Tushingham’s chief designer.

Alistair grew up in Campbeltown on Scotland’s west coast, where he developed his passion for the sea – and for flying. The airbase at Machrihanish (also a top windsurfing beach) was nearby. To some extent he lived his life in reverse. He started with a ‘proper’ job, trained as a dentist and served with the RAF before moving south and setting up a successful practice at Lee on Solent, where he was an active member of Stokes Bay sailing Club. Aged 40, he decided he’d had enough of staring into people’s mouths, and headed off to the London School of Art to study photography. He emerged technically informed and his life by the sea had given him a keen eye and intimate knowledge of all things wind-driven. But as he set out to make a living from marine photography, his major strength was his sense of adventure and his water confidence. While his peers contended themselves with taking chocolate box style pics of various boats from a safe distance in the comfort of a heated launch, Alistair, wet-suited up and early waterproof Nikons in hand, got properly stuck in. Ken takes up the story. “I was often his boat driver. He’d want me to get really close to the big yachts and sometimes he’d make me manoeuvre right in between the spinnaker and the hull. It was very precarious because those early racing boats were right on the edge and forever broaching. But the crews loved it and the pictures encapsulated the action like never before.”

It was of course at this time in the early 80’s that the sport of windsurfing went nuts. His son Fraser was quite a talent and was invited by Ken Winner to work at his school in Florida. It was there he was offered a place on the prestigious Mistral team and was flown over to Oahu to compete in the 1982 Pan Am Cup – the first proper, high wind, professional event.

Everyone needs a break and Alistair’s was to shoot that regatta. Conditions were extraordinary. This was windsurfing at a completely different level. Alistair’s shots of the long distance race, sailors planing on their 4m Pan Am cruisers in the massive swells off Birdshit Island as waves thundered onto the rocks, live long in the memory. Fraser was far too laid back to take the fledgling pro circuit seriously. Having made it to Hawaii, he stopped right there (and is still there 35 years later). But he was a great promotional sailor and gave Alistair an obvious excuse to make many trips to Oahu. ‘The wetter the better’ was his motto and he took residence over Diamond Head’s infamous reef.

His work soon transcended the world of windsurfing. He was twice crowned Sports Photographer of the Year and his image ‘Jump for Joy’ (a fabulously composed arty jump shot) was sports photograph of the year in 1984. His talent came to the notice of Nikon, who staged exhibitions for him in London and used many of his images in their advertising.

He had an obvious connection with windsurfing but also continued to shine in the rarified world of big boats, doing shots for Ted Heath and round-the-world legend Peter Blake.

The first time I worked with Alistair was testing ‘funboards’ in the Solent on a drizzly March morning. He had just returned from an assignment in his favourite spot, the Rangiroa atoll in French Polynesia. But despite the dramatic change of circumstances, he was as enthusiastic as a boy who had just been given his first Box Brownie. Ideas and enthusiasm flowed and you were always swept along by his passion for what he was doing. After another 20 years in a wetsuit, he retired and moved to the Isle of Wight. ‘Retire’ gives a totally false impression as he remained active and swam and played tennis right up to the last.

PH Peter Hart 4th Nov 2015

The post PETER HART – AFFAIRS OF THE HART – LASTING IMPRESSIONS appeared first on Windsurf Magazine.

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9Mar/16Off

PETER HART – AFFAIRS OF THE HART

PETER HART - AFFAIRS OF THE HART

IMG_0023

PETER HART – AFFAIRS OF THE HART

THE NORTH ATLANTIC DIARIES

(This feature originally appeared in the November December 2015 issue of Windsurf Magazine. To read more features like this first, Print and Digital subscriptions are available. Prices include delivery globally for 10 x issues a year!)

Autumns in Ireland and Scotland are like Forest Gump’s box of chocolates, you never know what you’re going to get – but they’re always ‘chocolatey.’

“ It’s really kicking off over there in Coll tonight. It’s completely lighting up the night sky. I didn’t know it had such a big town.” Said Steve, having just joined us from making a phone call on the pier outside the Hynish centre on Tiree (the only spot where you get a signal).

“It doesn’t” said Bill. Coll is the neighbouring island of Tiree, population 220 humans and a handful of corncrakes.

“Oh – in which in case in must be the last glimmers of the sunset.”

“What? At midnight, in October … to the east of us?!”

The penny dropped. As one, our group leapt to their collective feet, sprinted outside, screaming  “NORTHERN LIGHTS!!”

It’s something I’ve always wanted to witness ever since I saw Bill Forsythe’s magical film ‘Local Hero.’ Don’t say you haven’t seen it. It was the favourite film of everyone who was conscious in 1983. It tells the story of a US oil company trying to buy off a small Scottish fishing village so they can install a refinery. They send over MacIntyre, the young exec., to offer the locals untold riches for their land so they can exploit it. But he falls in love with the place and the lifestyle (and the hotelier’s wife) and doesn’t want to leave.

It was both hilarious and poignant. The oil company boss, played by a very mature Burt Lancaster, was actually more interested in whether MacIntyre had seen the aurora borealis than whether he’d clinched the deal.

The crowning scene was a very drunk ‘Mac’ with a fistful of 10 pence pieces, calling Burt in the middle of the night from a red phone box and trying to describe the scene above his head.. “I’m watching the sky sir … it’s doing some amazing things … it’s white and green and red, oh no sorry, that’s the phone box … oh – and now it’s blue!”

So there we were, dropped into our own ‘Local Hero’ moment, in a totally unblemished corner of Scotland with no light pollution, on the clearest night imaginable, watching the best light show in the cosmos. And Tiree still has red phone boxes.

A week before that on the 1st of October in Donegal, an incredibly high pressure over most of the UK had left us in a vacuum over a mirror Atlantic and topless in 25°C. temperatures. We launched the SUPs into Sheephaven Bay, one of the most stunning stretches of coastline in the world, punctuated by endless crescent bays, forests and caves. Would the dolphins leave us alone? At least 20 of them slalomed around us as they herded shoals of Pollock into rocky corners before filling their metaphorical boots.

They dove in unison, surfaced in unison and emptied their blowholes in unison. I swear it was better rehearsed than any Florida dolphinarium  … and absolutely free.

The northern lights and dolphin show occurred during my annual four week wave tour of Donegal and Tiree. It’s a trip I’ve been making for a number of decades. If I have a problem with it, it’s in explaining the concept to the uninitiated and offering a clear idea of what might happen.

Imagine a conversation with a washing machine salesman who in answer to your questions about whether a particular model gets clothes clean, answers: “Good point sir. Sometimes it can be amazing … but you never know. The Washamatic 32000 is bit of surprise package.  But all I can say sir, is that whatever happens, you’ll have a lovely experience.”

It’s not a great pitch is it? But that is the exact same story with windsurfing trips to the north Atlantic.

Will there be waves and wind? Which is the jumping tack? Will I finally be able to nail the loop and sort out my bottom turns. Will I perish from hypothermia?

Ummm … there’s a very good chance you will do a lot of windsurfing – but then it might also be perfect for a SUP tour and a surf. As for jumping tacks … well that depends on the wind. Last year it was mostly westerly but the year before that was NE and a bit of south. And the waves? Well they could be anywhere between 3 inches and 30 feet. And what about warm clothing and a very thick wetsuit you ask? Yes, yes … as a precaution. But as my old Gran would say: “it‘s a difficult place to pack for.” So you also better bring some factor 50 suncream because last year a couple got horribly burned feet and noses. But what I can guarantee is that every day will be good for something and during the week, something extraordinary will happen. Like what? I don’t know – but it always does.

The joy of not knowing

The best wedding I went to was my brothers – because it was memorable – not for the vows, flowers and food, which I’m sure were tear-jerky, beautiful and delicious; but because towards the end of a very long reception I was mistaken for a tramp and locked up by the hotel under manager until someone less the worse for wear could identify me. It’s the unexpected and the unlikely that thrill us and imprint events deep into the memory.

My best windsurfing trips have also been made memorable by events other than the focused act of trying to complete a new or better move.

We can’t guarantee Northern Lights or the appearance of a private dolphin pod – but when you place yourself in a stunningly remote area facing a wild, untainted ocean and head to a different spot every day – then the doors are open for wild and wonderful events.

And wasn’t chocolate mentioned in the intro? Well the third most memorable event of the tour was the appearance of Gerry, a professional chocolatier, who arrived with a van full of designer sweet-meats. Now that really was special.

PH Peter Hart 10th October 2015

The post PETER HART – AFFAIRS OF THE HART appeared first on Windsurf Magazine.

Click here to read more: Windsurf Magazine

7Mar/16Off

APRIL 2016 ISSUE ON SALE

APRIL 2016 ISSUE ON SALE

Panel1

WINDSURF MAGAZINE #354 APRIL ISSUE ON SALE NOW

The APRIL 2016 Issue of the world’s only monthly English-language windsurfing magazine is out now!


Subscribe or buy your copy here in either 

Digital or 

Print versions!
(Prices include delivery anywhere globally 10 times a year.)


Winter’s tale issue – Polakow rides Nazaré, Traversa XXL Basque country, Jaws Journals – Naish, Polakow, Brawzinho and Katchadourian recount their rides, Sailing Storm Imogen on the South Coast of England, Viking test – Kevin Pritchard sails Denmark in winter, Freerace tests – 120L. Boards & 7.0 no-cam sails, Harty’s onshore tips, Jem’s moves that matter, Mediterranean travel guide, Starboard designer – Tiesda You interviewed, Harty’s history of storm riding.

001 FC APRIL 354 HR

BIG JUICY READS

 

SPREAD ROBBY BY ERIK AEDER8825

THE JAWS JOURNALS
Jason Polakow, Marcilio ‘Brawzinho’ Browne, Kai Katchadourian and Robby Naish breakdown the action on and off the water for a compelling insight into their heroics at Jaws.

MAIN SPREAD (1)

BLACK MONDAY
Storm Imogen swept in 50 foot waves from the Atlantic and battered the south coast of England with winds gusting over 100 knots! The Motley Crew tell the story of their Black Monday mission.

small TT

BOOMING BASQUE
In a performance that nearly broke the internet, Thomas Traversa tells us of his XXL mission in the Basque country.

NAZARÉ
Jason Polakow becomes the first wind powered athlete to ride the infamous wave of Nazaré, Portugal. Jason recounts the wipeouts and waves of a pioneering session.

POLAKOW’S NAZARE BOARD
We hear the story of the making of Jason’s special board for riding Nazaré.

JC Small

THE VIKING TEST
The waves may have been cold but the warmth of the locals showed him real Aloha. Kevin Pritchard tells us why he made a trip in December from Maui to Klitmoller, Denmark.

GEAR SHED

 

IMG_6225

120 LITRE FREERACE BOARDS
Our testers review the boards promising comfort and speed; designed for your drag racing pleasure!

Fanatic Hawk 124,
RRD Firestorm 123,
Starboard Futura 124,
Tabou Speedster 118,
JP Supersport 124,
Goya Bolt 115,

DSC_6250

7.0 NO-CAM FREERACE SAILS
The latest no-cam sail designs target performance and ease of use – do they deliver? The test team find out.

RRD Fire MKIII 6.8m,
North E-Type 7.3m,
Severne NCX 7.0m,
Neil Pryde Hellcat 7.2m,
GA Sails Savage 7.2m,
Goya Mark 7.2m,
Vandal Stitch 7.0m,
Point 7 AC-X 7.0m,
Simmer V-Max 7.2m,


TEKKERS

 

PETER HART TECHNIQUE – BREAKING ONSHORE RUTS.
The reality of sailing waves in onshore winds is that it’s easy to do – but hard to do well. In the first of a two-parter, Harty offers advice about how to rip the mush.

578-

MOVE ON UP WITH JEM HALL – THE MOVES THAT MATTER.
For many people April is when we dust off the kit and aim for new targets, Jem clarifies the ‘Moves that matter’ and how to improve in these at all levels.

BOARDSHORTS

LATEST & GREATEST 
CNN, SKY NEWS and the BBC have rolling news to cover world affairs. We have Latest and Greatest to cover windsurfing’s newest news updates, it’s kinda the same thing as they do on the telly..ish!.

LOWDOWN
RRD AIRWINDSURF SAIL – RRD designer and all round ripper, John Skye, discusses his innovative new rig, designed for portability and able to fit in a small bag!

_C8A4009

TIESDA YOU
Starboard’s head of design talks theory, innovation and why he still loves windsurfing.

SIX WEEKS 
The UK winter is normally Western Australia’s prime time windsurfing season, but not this year. Paul McGill ponders on a strange and strained summer down under.

ClubVass-1058

MEDITERRANEAN TRAVEL GUIDE
If your passport is tempted by the lure of crystal blue seas and reliable thermal winds, read on for our look at some of the Med’s best spots to get your windsurfing fix in

SITTIN’ ON THE DUNNY

EDITORIAL
It has been an exceptional winter for windsurfing in the UK and abroad – the editor celebrates the bounty and benefits of such a season and the importance of recording this winter’s sessions.

AFFAIRS OF THE HART
After an eventful winter of heavy wind and high seas, Harty looks back at the history of storm riding.

 

Get your 

Print or 

Digital copy

 now!

 App_store 158x53px android_google_play 158x53px Windows Store logo 158x53px

Sub2016web480

The post APRIL 2016 ISSUE ON SALE appeared first on Windsurf Magazine.

Click here to read more: Windsurf Magazine

7Mar/16Off

APRIL 2016 ISSUE ON SALE

APRIL 2016 ISSUE ON SALE

Panel1

WINDSURF MAGAZINE #354 APRIL ISSUE ON SALE NOW

The APRIL 2016 Issue of the world’s only monthly English-language windsurfing magazine is out now!


Subscribe or buy your copy here in either 

Digital or 

Print versions!
(Prices include delivery anywhere globally 10 times a year.)


Winter’s tale issue – Polakow rides Nazaré, Traversa XXL Basque country, Jaws Journals – Naish, Polakow, Brawzinho and Katchadourian recount their rides, Sailing Storm Imogen on the South Coast of England, Viking test – Kevin Pritchard sails Denmark in winter, Freerace tests – 120L. Boards & 7.0 no-cam sails, Harty’s onshore tips, Jem’s moves that matter, Mediterranean travel guide, Starboard designer – Tiesda You interviewed, Harty’s history of storm riding.

001 FC APRIL 354 HR

BIG JUICY READS

 

SPREAD ROBBY BY ERIK AEDER8825

THE JAWS JOURNALS
Jason Polakow, Marcilio ‘Brawzinho’ Browne, Kai Katchadourian and Robby Naish breakdown the action on and off the water for a compelling insight into their heroics at Jaws.

MAIN SPREAD (1)

BLACK MONDAY
Storm Imogen swept in 50 foot waves from the Atlantic and battered the south coast of England with winds gusting over 100 knots! The Motley Crew tell the story of their Black Monday mission.

small TT

BOOMING BASQUE
In a performance that nearly broke the internet, Thomas Traversa tells us of his XXL mission in the Basque country.

NAZARÉ
Jason Polakow becomes the first wind powered athlete to ride the infamous wave of Nazaré, Portugal. Jason recounts the wipeouts and waves of a pioneering session.

POLAKOW’S NAZARE BOARD
We hear the story of the making of Jason’s special board for riding Nazaré.

JC Small

THE VIKING TEST
The waves may have been cold but the warmth of the locals showed him real Aloha. Kevin Pritchard tells us why he made a trip in December from Maui to Klitmoller, Denmark.

GEAR SHED

 

IMG_6225

120 LITRE FREERACE BOARDS
Our testers review the boards promising comfort and speed; designed for your drag racing pleasure!

Fanatic Hawk 124,
RRD Firestorm 123,
Starboard Futura 124,
Tabou Speedster 118,
JP Supersport 124,
Goya Bolt 115,

DSC_6250

7.0 NO-CAM FREERACE SAILS
The latest no-cam sail designs target performance and ease of use – do they deliver? The test team find out.

RRD Fire MKIII 6.8m,
North E-Type 7.3m,
Severne NCX 7.0m,
Neil Pryde Hellcat 7.2m,
GA Sails Savage 7.2m,
Goya Mark 7.2m,
Vandal Stitch 7.0m,
Point 7 AC-X 7.0m,
Simmer V-Max 7.2m,


TEKKERS

 

PETER HART TECHNIQUE – BREAKING ONSHORE RUTS.
The reality of sailing waves in onshore winds is that it’s easy to do – but hard to do well. In the first of a two-parter, Harty offers advice about how to rip the mush.

578-

MOVE ON UP WITH JEM HALL – THE MOVES THAT MATTER.
For many people April is when we dust off the kit and aim for new targets, Jem clarifies the ‘Moves that matter’ and how to improve in these at all levels.

BOARDSHORTS

LATEST & GREATEST 
CNN, SKY NEWS and the BBC have rolling news to cover world affairs. We have Latest and Greatest to cover windsurfing’s newest news updates, it’s kinda the same thing as they do on the telly..ish!.

LOWDOWN
RRD AIRWINDSURF SAIL – RRD designer and all round ripper, John Skye, discusses his innovative new rig, designed for portability and able to fit in a small bag!

_C8A4009

TIESDA YOU
Starboard’s head of design talks theory, innovation and why he still loves windsurfing.

SIX WEEKS 
The UK winter is normally Western Australia’s prime time windsurfing season, but not this year. Paul McGill ponders on a strange and strained summer down under.

ClubVass-1058

MEDITERRANEAN TRAVEL GUIDE
If your passport is tempted by the lure of crystal blue seas and reliable thermal winds, read on for our look at some of the Med’s best spots to get your windsurfing fix in

SITTIN’ ON THE DUNNY

EDITORIAL
It has been an exceptional winter for windsurfing in the UK and abroad – the editor celebrates the bounty and benefits of such a season and the importance of recording this winter’s sessions.

AFFAIRS OF THE HART
After an eventful winter of heavy wind and high seas, Harty looks back at the history of storm riding.

 

Get your 

Print or 

Digital copy

 now!

 App_store 158x53px android_google_play 158x53px Windows Store logo 158x53px

Sub2016web480

The post APRIL 2016 ISSUE ON SALE appeared first on Windsurf Magazine.

Click here to read more: Windsurf Magazine

2Mar/16Off

PETER HART – START STABLE, END STABLE!

PETER HART - START STABLE, END STABLE!

PETER HART – START STABLE, END STABLE!

PETER HART – START STABLE, END STABLE!

Another taster from Peter Hart and Dave White’s critically acclaimed ’10 steps to gybing’ DVD.
It’s all in the preparation …!

 

 

The post PETER HART – START STABLE, END STABLE! appeared first on Windsurf Magazine.

Click here to read more: Windsurf Magazine

4Feb/16Off

MARCH 2016 ISSUE ON SALE

MARCH 2016 ISSUE ON SALE

Panel1

WINDSURF MAGAZINE #353 MARCH ISSUE ON SALE NOW

The March 2016 Issue of the world’s only monthly English-language windsurfing magazine is out now!

Subscribe or grab your copy now in either 

Digital or 

Print  versions!
(Prices include delivery anywhere globally 10 times a year.)

The Islands issue – Teahupoʻo tales from Robby Swift and Boujmaa Guilloul, Graham Ezzy muses about life on Maui, John Skye explores Gran Canaria’s other side, Raiatea – Lena Erdil’s adventures in a French Polynesia freeride spot, Isle of Wight waves – JC scores on his native island, Lancelin Ocean Classic event report, Peter Hart’s lessons learned 2015, Jem Hall high wind technique, Freeride tests: 115l. Boards & 6.5 sails.

Cover MARCH 353 480

BIG JUICY READS

 

Mystic-tahiti-3586

TAHITIAN DREAMS
Robby Swift and Boujmaa Guillol score the golden ticket to Tahiti and the twisting tubes of Teahupoʻo. Waves, wipeouts, pain and pleasure; the duo report from the famous reef.

Tahiti Medium

RA’IATEA DIARIES
‘A little piece of paradise on earth, like windsurfing in an aquarium!’. Lena Erdil tells us more about her tropical tale of adventure in Ra’iatea, French Polynesia.

lanc_C8A8738

LANO-GRAM
Despite eating his own body weight in barbequed #cow and #pig, our Pommie in Chief, JC, captured all the #Lancelin Ocean Classic  action for our exclusive pass to the event – #Lano-gram!

IOW_69T2922

THE DAY IT ALL WENT WIGHT!
Friday the 13th! was strangely the day the Motley crew finally had everything go their way, no delays, no dramas just old fashioned going off on the Isle of Wight, JC reports.

Airton_Cozzolino_Gollito_Estredo_Mauritius_0775

ISLAND BOYZ
Airton Cozzolino, the innovative kitesurfer, and Gollito Estredo, the windsurf Freestyle Champ, have both used their talents on the water to escape poverty, read their inspiring stories here.

RRD SKYE Bohnhof_2

EL PASO
Gran Canaria is famous for the beach of Pozo. Lesser known in the windsurf world is the other side of the island, home to the waves of El Paso and starboard tack down the line. John Skye gives the lowdown.

ezzy MAIN SHOT

IN THE HANDS OF MAUI
Maui is a paradise with many sides. Graham Ezzy reflects on his childhood there and life on windsurfing’s most famous island.

GEAR SHED

 

Board Intro

115 LITRE FREERIDE BOARDS
Fun, easy to use and designed for your pleasure; we test the latest freeride boards.

FANATIC GECKO LTD 112
GOYA CARRERA 116 
JP MAGIC RIDE FWS 119
RRD FIREMOVE V2 LTD 112
STARBOARD ATOM IQ CARBON 114
TABOU ROCKET WIDE LTD 118

sailtest

6.5 FREERIDE SAILS
The team review the latest freeride sail designs, all aiming for a soft and easy-to-use power delivery.

EZZY CHEETAH 6.5M 
GA SAILS MATRIX 6.5M 
GOYA NEXUS 6.4M 
NEIL PRYDE RYDE 6.5M 
NORTH SAILS E_TYPE 6.6M 
RRD EVOLUTION MKVIII 6.3M 
SEVERNE GATOR 6.5M 
TUSHINGHAM BOLT 6.5M 
VANDAL ADDICT 6.5M

TEKKERS

 

Ph behind

PETER HART TECHNIQUE
Lessons Learned 2015 – Peter Hart reviews his year in the classroom; telling tales from school, he lets us know the good, bad and ugly from his year of coaching and the lessons learned.

JEmhall

MOVE ON UP WITH JEM HALL
Surfvival – Jem Hall gives us the tips and techniques to help with the windier and wavier stuff!

BOARDSHORTS

LATEST & GREATEST
Looking for hard hitting, no holds barred journalism exposing the very latest in windsurfing?, well not quite but grab a biscuit and join us as we lift the lid on ‘new stuff’ right here.

TECHNOLOGY UPDATE
We look at some of the latest thingy-ma-wotsits designed for getting your post Christmas gadget on.

SITTIN’ ON THE DUNNY

EDITORIAL
Windsurfing and Islands go together like board and rig. The editor celebrates Island life from all points of the globe and its connection to windsurfing.

AFFAIRS OF THE HART
Is there a positive to a trip with no wind?, of course there is when Peter Hart, the master of wit and charm, is in town. Harty celebrates the joys of being skunked!

 

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3Feb/16Off

PETER HART JERICOACOARA MASTERCLASS 2016

PETER HART JERICOACOARA MASTERCLASS 2016

JERICOACOARA MASTERCLASS 2016

JERICOACOARA MASTERCLASS 2016

There are few better places to be than in Brazil in January. Peter Hart’s wave riding Masterclass in ‘Jeri’ was the usual mix of sun, fun and watery action.

For more peter-hart.com

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